Check out this great compilation video made by Pieter Matthynssens and Kobe Wens.
On the occasion of the World Humanist Day, Nadar has been asked to play Stefan Prins’ awesome ‘FITTINGinSIDE’ for trombone, soundtrack, walking audience, smartphone and Zoom conference call – with yours truly on the old trombone!
What a way to start your summer! Register here:
In case you missed it, yesterday evening’s Odysseia concert ‘Speechless Song’ was broadcast on Klara Live. The program centers around Luc Brewaeys’ famous work for soprano and crotales, once infamously written for the Queen Elizabeth competition.
I had the pleasure of conducting this group of fantastic musicians and soloists for two of the pieces on the program, both by Brewaeys: Painted Pyramids and the ensemble version of Speechless Song.
Bravo to all involved and especially to the soloists, Lieselot De Wilde and Frederik Croene!
You can listen to the broadcast via this link: Klara Live Speechless Song
On Sunday at 14h (CEST) Matrix [Centre for New Music] will broadcast Mátyás Wettl’s Nocturne played by Nadar Ensemble and Thierry De Mey’s Light Music performed by Centre Henri Pousseur and me! What a cool – or should I say, hot and enlightening – program!
The lamps for Nocturne have been made by the students from the SLAC/Fine Arts Academy in Leuven. And you can get a preview of those beauties by visiting Matrix’s online exhibition here: https://matrix-new-music.be/nl/lightmusic/
This performance of Light Music represents a huge amount of work done by Xavier Meeus and Patrick Delges of Centre Henri Pousseur who have taken charge of the technical revision of the piece. They have done an incredible job. It has also been really important to my own artistic research – and it’s a ton of fun to perform!
See you there!
Tomorrow is the day – our conference Framing the Normal starts tomorrow afternoon at 1 pm (CEST) with a great group of presenters. At 7 pm the incredible Dr. Håkon Stene will offer a keynote address titled, ‘Notes on Post-Instrumental Practices.’ Come check it out: https://framingthenormal.wordpress.com/
Since you are already coming for the keynote, stick around for the evening performances in which Jessie Marino’s newest piece will be premiered by the RCA Guitar Ensemble. We will also feature Winnie Huang’s Tentacles and I will perform Thierry De Mey’s Light Music.
Winnie Huang and I have put together a two-day conference featuring pieces and presentations that all ‘Frame the Normal‘. Day 2 of that conference will feature Alina Taraban & Ensemble XXI playing John Cage’s Concert for Piano and Orchestra and How to make a monster by Sivan Cohen Elias performed by the amazing Winnie Huang.
Our evening show includes short programs by Haize Lizarazu playing music by Fran MM Cabeza de Vaca and Michael Beil and Yui Sakagoshi playing her own music as well as pieces by Sergio Núñez Meneses, Chatori Shimizu and Thierry De Mey. We will close the conference with a collective performance of Ajtony Csaba’s Music for the Eyes.
All the details of the conference can be found here: https://framingthenormal.wordpress.com/schedule/
Come check it out!
Next Monday evening at 20h / 8 pm CEST we will premiere both the newly revised version of Thierry De Mey’s Light Music and Jessie Marino’s brand new piece Six to Five. Also on the program is Winnie Huang’s cool duet Tentacles.
Light Music was written in 2004, however the amazing experts at Centre Henri Pousseur have spent the last year completely re-writing the electronics, finding new ways to make it more live and performer-dependant. The piece is so much fun to perform and I am really excited to be able to show it off next week.
Melissa Portaels and Rebecca Diependaele from Matrix [Centre for New Music] came to chat during the final rehearsal week Light Music and put together this cool little preview video (in Dutch):
Classical guitar players marching | Jessie Marino creating live acoustic faders
The RCA Guitar Ensemble and I will premiere Marino’s newest piece, titled Six to Five. Jessie has created a really cool and fresh new piece for the ensemble.
Come check it out next Monday evening.
This show takes part in the evening programming of an academic conference that Winnie Huang and I have put together as part of our PhD studies at the University and Royal Conservatoire of Antwerp (ARIA). The conference is titled Framing the Normal and we are thrilled to present Håkon Stene as our Keynote speaker. All the details of the conference, including links and the schedule, can be found here: Framing the Normal.
Happy to see that Thin Air, a solo-project I did at the behest of Jelle Dierckx and Lunalia Festival, continues to resound around the world.
Here is a nice write up by Gail Wein on Classic Voice North America:
This coming Thursday from 2-3 pm, Nadar will present Schubert’s Point Ones as part of Musica’s educational programming. There will be a short introduction (in Dutch) prior to the performance and an in-depth Q&A session afterwards.
While it is mostly intended for students, the concert and Q&A are open for all. So please feel free to attend. You’ll find all the necessary info on this page: Toekomst en perspectief – Online concert & interactie met Nadar Ensemble
I am very proud to invite you all to a special online performance of John Cage’s Concert for Piano and Orchestra presented by Alina Taraban, Ensemble XXI and the Royal Conservatoire of Antwerp. The concert will take place at this year’s ARTICULATE festival and broadcast via their YouTube channel.
Here is a link to the concert program which also includes information for the live stream. Cage: Concert for Piano and Orchestra
See you tomorrow evening, the 4th of March 2021 at 8 pm (20h UTC+1)